Nancy Adajania is a Bombay-based cultural theorist and curator. She was Joint Artistic Director of the 9th Gwangju Biennale, South Korea (2012). She has curated several exhibitions, including “One Hundred Years And Counting: Rescripting K G Subramanyan” (Emami with Seagull, 2024) and “Woman Is As Woman Does” (CSMVS Museum with JNAF, 2022). She has proposed several new theoretical models through her extensive writings on subaltern art, media art, public art, collaborative art, transcultural art, and the biennale culture in the Global South.